2007     Christiane Paul, Gemima Rellie, and Charlie Gere (Curators & contributers) Feedback:Art Responsive to instructions, input, or its environment in LABoral Centro de Arte y Creación Industrial, Gijón, Asturias, Spain 2007, Verostko ref:  pp.104 ff. & 272.
Electronic art and animation catalog, SIGGRAPH 2007, Computer Graphics Annual Conference Series, Association for Computing Machinery, NY.
2006
 20th Century Computer Art: Beginnings & Developments, The work and thought of pioneers and contemporary practitioners of algorithmic art in Tama Art University Museum, Tokyo, 2006, Roman Verostko, pp. 84-90.
James Faure Walker, Painting the Digital River, Pentice Hall, 2006, Verostko ref:  Chapter 7, "Strange Plants",  pp. 234 ff.
Vlatko Ceric Legitimnost algoritamske graficke umjetnosti (I) in GRAFIKA III, No.7-8, Oct 2005-March 2006, pp 18-22, Zagreb 2006.
B. Wands Art of the Digital Age Thames and Hudson, London 2006, Cyberflower reproduced.
Hortus Conclusus Nazarenus Flowers of Learning (Dedication Catalogue) Spalding University, Louisville, Kentucky, USA, 2006.
Electronic art and animation catalog, SIGGRAPH 2006, Computer Graphics Annual Conference Series, Association for Computing Machinery, NY.
ComputerKUNST /ComputerART 2006, Museum der Stadt Gladbeck, Gladbeck.
2005
 Electronic art and animation catalog, SIGGRAPH 2005, Computer Graphics Annual Conference Series, Association for Computing Machinery, NY, pp. 158-161.
Alice Wagstaff Roman and the Algorithmic Revolution Pearl Park Scriptures, 2005, [DAM]Berlin, Berlin.
Art et Biotechnologies, Collection Esthétique, Sous la direction de Louise Poissant et  Ernestine Daubner,  Presses de l'Université du Quebec, Publications de l'Université de Saint-Étienne, 2005, DVD format. anthology of  artists who have created art with  intelligent automata.
2004
 Computerkunst 2004, Wolfgang Schneider (Ed.), Gladbeck, Germany.
Electronic art and animation catalog, SIGGRAPH 2004, Computer Graphics Annual Conference Series, Association for Computing Machinery, New York 2004, pp 89-91.
Contemporary Art And The Mathematical Instinct, Tweed Museum of Art, University of Minnesota, Duluth, MN, 2004, p.51.
Die Algorithmische Revolution, ZKM: Zentrum für Kunst und Medientechnologie, Karlsuhe, Germany 2004.
2003
 Electronic art and animation catalog, SIGGRAPH 2003, Computer Graphics Annual Conference Series,  Association for Computing Machinery, New York.
Paul Schmitt, Pixel, créativité, “Le retour de la Peinture”,  p.68-69  numéro 82, 2003, Paris.
2002
 Wolfgang Schneider (Ed.) Computerkunst 2002 Gladbeck, Germany.
Linda Candy & Ernest Edmonds Explorations in Art and Technology, Springer, London (2002), "Roman Verostko" pp. 131 ff.
2001
 Marissa Agha Retirees not resting on their laurels in St. Paul Pioneer Press, November 20, 2001, p. C28.
George Wale & Naren Barfield Digital Printmaking, A&C Black, London 2001.
Megan Bates Algorithms + computer + canvas = art: Roman Verostko/Arizona State University The Arizona Republic, Phoenix, Feb. 1, 2001.
Machine-Made Works That Look Crafted by Hand, Chronicle of Higher Education, March 2nd, 2001,  Chronicle review of Roman Verostko's Arizona Exhibition.
2000
 Wolfgang Schneider (Ed.) Computerkunst 2000: Die Preisträger des Goldenen Plotters / The Prizewinners of the Golden Plotter Gladbeck 1986-1998.
1999 Ann Morgan Spalter, The Computer in the Visual Arts,   Addison-Wesley Pub Co; ISBN: 0201386003; 1st edition (1999).
1998

 Computerkunst'98 Museum der Stadt, Gladbeck, Seven Sisters: The Pleiades, pp104-105.
1997  Leonardo, 5th Annual Digital Salon,  1997, v.30-no.5.
1996 
Leonardo, 4th Annual Digital Salon, 1996, v.29-no. 5.
Gregg Smith Roman Verostko in PIXEL: Le magazine des nouvelles images, No. 29, , Paris 1996. p 32ff.
1995
 Roman Verostko: Fourfield Illumination. ARTEC 95: The Fourth International Biennale in Nagoya, Nagoya City Art Museum & Nagoya City Science Museum 1995, p.113.
Roman Verostko, Illuminated  Universal Turing Machine in Nikkei Computer Graphics, #10, 1995, NCG, Tokyo, p. 212.
Leonardo Special Editions on the Digital Salon 1995 v27-no.5,1996 v29-no.5, 1997 v30-no.5.
Roman Verostko in  Visual Proceedings, SIGGRAPH 95, ACM, Oxford 1995.
1994
 Schneider, Wolfgang Preisverleihung zur Computerkunst  and Roman Verostko in Computerkunst '94 Catalogue, Museum der Stadt Gladbeck, Gladbeck 1994, pp.124-25.
Diamond Lake Apocalypse: Illuminated Chaotic Scripts in ISEA '94 Catalogue, The Fifth International Symposium on Electronic Art, University of Art & Design, Helsinki 1994, p.61.
Elastic Visions Exhibition Catalogue, Zoller Gallery, Pennsylvania State University, 1994.
Anna Campbell Bliss Explorers in The Leonardo Gallery, LEONARDO, Vol. 28, No. 4, 1994, pp. 239-242
1993
 "Roman Verostko" in Der Prix Ars Electronica: Internationales Kompendium der Computerkunste, pp 48-49, Veritas Verlag, Lintz, Austria, 1993.
1992
 Visual Proceedings: Art & the Science of Computer Graphics, ACM SIGGRAPH, 1992, p. 9.
SICAF 92: Seoul International Computer Art Festival, Exhibition catalogue, Seoul, 1992, p.23.
1991
 Dada / Data: Developing Media Since 1970, Exhibition catalogue, Baltimore 1991.
1990
 Leonardo: Digital Image, Digital Cinema, Supplemental Issue, Lung Shan II, 1990, p. 114.
1988 Crash: Computer Assisted Hard Copy, Exhibition Catalogue, Beloit College Museums and the Department of Art, University of Wisconsin 1988, pp.74-75.
1986   
Centennial Faculty Exhibition: Art & Design Roman Verostko, The Magic Hand of Chance, p. 26, Catalogue, MCAD Gallery, Minneapolis.
1977 Recap: 1972-77, Exhibition  Catalogue, Trajectory Gallery London, Ontario, Canada.
1973
London Free Press, London, Ontario, Reviews of R.V.'s exhibition Leonore Crawford; March 19, 1973; March 24, 1973.
1972  Don Morrison Charming is best word for describing Verostko's paintings in The Minneapolis Star, Nov. 16, 1972, p.7B.
1968    
Sculptures de Ciment: Monastery de Saint-Vincent, Roman Verostko in Art D'Église No: 142 1968 (Brughes).
1965
Roman J. Verostko, The Westmoreland County Museum of Art, Greensburg, Pennsylvania.
2007     Christiane Paul, Gemima Rellie, and Charlie Gere (Curators & contributers) Feedback:Art Responsive to instructions, input, or its environment in LABoral Centro de Arte y Creación Industrial, Gijón, Asturias, Spain 2007, Verostko ref:  pp.104 ff. & 272.
Electronic art and animation catalog, SIGGRAPH 2007, Computer Graphics Annual Conference Series, Association for Computing Machinery, NY.
2006
 20th Century Computer Art: Beginnings & Developments, The work and thought of pioneers and contemporary practitioners of algorithmic art in Tama Art University Museum, Tokyo, 2006, Roman Verostko, pp. 84-90.
James Faure Walker, Painting the Digital River, Pentice Hall, 2006, Verostko ref:  Chapter 7, "Strange Plants",  pp. 234 ff.
Vlatko Ceric Legitimnost algoritamske graficke umjetnosti (I) in GRAFIKA III, No.7-8, Oct 2005-March 2006, pp 18-22, Zagreb 2006.
B. Wands Art of the Digital Age Thames and Hudson, London 2006, Cyberflower reproduced.
Hortus Conclusus Nazarenus Flowers of Learning (Dedication Catalogue) Spalding University, Louisville, Kentucky, USA, 2006.
Electronic art and animation catalog, SIGGRAPH 2006, Computer Graphics Annual Conference Series, Association for Computing Machinery, NY.
ComputerKUNST /ComputerART 2006, Museum der Stadt Gladbeck, Gladbeck.
2005
 Electronic art and animation catalog, SIGGRAPH 2005, Computer Graphics Annual Conference Series, Association for Computing Machinery, NY, pp. 158-161.
Alice Wagstaff Roman and the Algorithmic Revolution Pearl Park Scriptures, 2005, [DAM]Berlin, Berlin.
Art et Biotechnologies, Collection Esthétique, Sous la direction de Louise Poissant et  Ernestine Daubner,  Presses de l'Université du Quebec, Publications de l'Université de Saint-Étienne, 2005, DVD format. anthology of  artists who have created art with  intelligent automata.
2004
 Computerkunst 2004, Wolfgang Schneider (Ed.), Gladbeck, Germany.
Electronic art and animation catalog, SIGGRAPH 2004, Computer Graphics Annual Conference Series, Association for Computing Machinery, New York 2004, pp 89-91.
Contemporary Art And The Mathematical Instinct, Tweed Museum of Art, University of Minnesota, Duluth, MN, 2004, p.51.
Die Algorithmische Revolution, ZKM: Zentrum für Kunst und Medientechnologie, Karlsuhe, Germany 2004.
2003
 Electronic art and animation catalog, SIGGRAPH 2003, Computer Graphics Annual Conference Series,  Association for Computing Machinery, New York.
Paul Schmitt, Pixel, créativité, “Le retour de la Peinture”,  p.68-69  numéro 82, 2003, Paris.
2002
 Wolfgang Schneider (Ed.) Computerkunst 2002 Gladbeck, Germany.
Linda Candy & Ernest Edmonds Explorations in Art and Technology, Springer, London (2002), "Roman Verostko" pp. 131 ff.
2001
 Marissa Agha Retirees not resting on their laurels in St. Paul Pioneer Press, November 20, 2001, p. C28.
George Wale & Naren Barfield Digital Printmaking, A&C Black, London 2001.
Megan Bates Algorithms + computer + canvas = art: Roman Verostko/Arizona State University The Arizona Republic, Phoenix, Feb. 1, 2001.
Machine-Made Works That Look Crafted by Hand, Chronicle of Higher Education, March 2nd, 2001,  Chronicle review of Roman Verostko's Arizona Exhibition.
2000
 Wolfgang Schneider (Ed.) Computerkunst 2000: Die Preisträger des Goldenen Plotters / The Prizewinners of the Golden Plotter Gladbeck 1986-1998.
1999 Ann Morgan Spalter, The Computer in the Visual Arts,   Addison-Wesley Pub Co; ISBN: 0201386003; 1st edition (1999).
1998

 Computerkunst'98 Museum der Stadt, Gladbeck, Seven Sisters: The Pleiades, pp104-105.
1997  Leonardo, 5th Annual Digital Salon,  1997, v.30-no.5.
1996 
Leonardo, 4th Annual Digital Salon, 1996, v.29-no. 5.
Gregg Smith Roman Verostko in PIXEL: Le magazine des nouvelles images, No. 29, , Paris 1996. p 32ff.
1995
 Roman Verostko: Fourfield Illumination. ARTEC 95: The Fourth International Biennale in Nagoya, Nagoya City Art Museum & Nagoya City Science Museum 1995, p.113.
Roman Verostko, Illuminated  Universal Turing Machine in Nikkei Computer Graphics, #10, 1995, NCG, Tokyo, p. 212.
Leonardo Special Editions on the Digital Salon 1995 v27-no.5,1996 v29-no.5, 1997 v30-no.5.
Roman Verostko in  Visual Proceedings, SIGGRAPH 95, ACM, Oxford 1995.
1994
 Schneider, Wolfgang Preisverleihung zur Computerkunst  and Roman Verostko in Computerkunst '94 Catalogue, Museum der Stadt Gladbeck, Gladbeck 1994, pp.124-25.
Diamond Lake Apocalypse: Illuminated Chaotic Scripts in ISEA '94 Catalogue, The Fifth International Symposium on Electronic Art, University of Art & Design, Helsinki 1994, p.61.
Elastic Visions Exhibition Catalogue, Zoller Gallery, Pennsylvania State University, 1994.
Anna Campbell Bliss Explorers in The Leonardo Gallery, LEONARDO, Vol. 28, No. 4, 1994, pp. 239-242
1993
 "Roman Verostko" in Der Prix Ars Electronica: Internationales Kompendium der Computerkunste, pp 48-49, Veritas Verlag, Lintz, Austria, 1993.
1992
 Visual Proceedings: Art & the Science of Computer Graphics, ACM SIGGRAPH, 1992, p. 9.
SICAF 92: Seoul International Computer Art Festival, Exhibition catalogue, Seoul, 1992, p.23.
1991
 Dada / Data: Developing Media Since 1970, Exhibition catalogue, Baltimore 1991.
1990
 Leonardo: Digital Image, Digital Cinema, Supplemental Issue, Lung Shan II, 1990, p. 114.
1988 Crash: Computer Assisted Hard Copy, Exhibition Catalogue, Beloit College Museums and the Department of Art, University of Wisconsin 1988, pp.74-75.
1986   
Centennial Faculty Exhibition: Art & Design Roman Verostko, The Magic Hand of Chance, p. 26, Catalogue, MCAD Gallery, Minneapolis.
1977 Recap: 1972-77, Exhibition  Catalogue, Trajectory Gallery London, Ontario, Canada.
1973
London Free Press, London, Ontario, Reviews of R.V.'s exhibition Leonore Crawford; March 19, 1973; March 24, 1973.
1972  Don Morrison Charming is best word for describing Verostko's paintings in The Minneapolis Star, Nov. 16, 1972, p.7B.
1968    
Sculptures de Ciment: Monastery de Saint-Vincent, Roman Verostko in Art D'Église No: 142 1968 (Brughes).
1965
Roman J. Verostko, The Westmoreland County Museum of Art, Greensburg, Pennsylvania.